Search results for "dub poetry"
showing 3 items of 3 documents
"Dis poem is still not written." A Study of Diamesic Variation in Jamaican Dub Poetry
2020
International audience; This paper looks at diamesic variation in the works of Jamaican and Anglo-Jamaican dub poets such as Linton Kwesi Johnson, Benjamin Zephaniah and Mutabaruka. Dub poetry constitutes a turning point in the history of literature in Creole, since the genre achieved to establish Patwa as the legitimate medium for Caribbean writers, thereby effectively inverting (post)colonial linguistic hierarchies. Though closely associated with the reggae tradition, dub poets have always claimed to be doing “real” literature and published their work in written form as well as in audio or video recordings. The paper analyses various strategies to inscribe orality and orature in written t…
“Sometimes I Wanda/Who Will Translate/Dis/Fe de Inglish?” Strategies for Transcribing Jamaican Creole in the Dub Poems of Linton Kwesi Johnson and Be…
2019
International audience; The question of dialect has always been central to Caribbean literature, and more specifically to poetry. In a (post)colonial context of diglossia between standard English and Jamaican Creole, and of a strong hierarchy between oral and scribal forms of linguistic and literary expression, the mere possibility of writing ‘real’ literature in Patwa was severely contested until quite recently. Yet, an increasing number of poets have experimented with Creole over the course of the last century and have amply demonstrated that it is a legitimate medium for poetic and literary expression.This paper looks at various strategies employed by Anglo-Jamaican dub poets Linton Kwes…
« It Dread Inna Inglan », une chronique des luttes des Antillais au Royaume-Uni dans les poèmes de Linton Kwesi Johnson
2019
International audience; Linton Kwesi Johnson, dit LKJ, chanteur, poète et musicien de reggae s’est affirmé depuis les années 1960 comme un artiste noir de premier plan en Angleterre. Né en 1952 en Jamaïque, LKJ arrive à Londres parmi les dizaines de milliers d’immigrants antillais qui s’installent au Royaume-Uni à partir de l’après-guerre. Dans un contexte social tendu, marqué par le racisme et les violences policières auxquels font face les Antillais, LKJ développe une nouvelle forme d’expression artistique entre musique et poésie : la « dub poetry ». Ce faisant, il devient le porte-voix des luttes des Noirs pour leur reconnaissance au sein de la société britannique.